Tube Screamer Alternative: The Keeley modded Boss BD-2

After the super boutique BB preamp and the more mundane Boss SD-1, the next Tube Screamer alternative to be featured on Guitar Tone Overload is somewhere in the middle. Born in the Boss factories and modified in the workshop of mister Keeley, the Boss BD-2 “Blues Driver” overdrive is not a Tube Screamer copy but a different machine as you will gather from the demo videos below.

I will begin straight away with the videos and will give my thoughts afterward.

Here is how it sounds using single coil pickups, followed by a quick comparison with a Tube Screamer (here an Analogman modded TS9). I have decided that instead of changing the gain on the pedal, I would leave it on three o’clock and change the amount of dirt using the volume knob of the guitar and varying picking dynamics, blues style. This is a testimony to the quality of the pedal as this is not something that every overdrive pedal will do well:

And now here is how it sounds with humbuckers:

My Thoughts about the Keeley BD-2

Robert Keeley took a good overdrive pedal to start with and fine tuned it. When a friend lent me his stock BD-2, it gave me the opportunity to compare it to my Keeley modded one and, of course there are differences but both share the same basic tone. If you cannot afford a Keeley model, chances are that what applies to it will stay  more or less true with the stock model.

Here is what the modification brings: a lot more output volume, an “edgier” tone and I would say a bit more gain while being very silent. The relative absence of noise is a quality that most “Boutique” pedals have when compared to mass produced models. There is also a little switch that will make the sound a bit fatter when on and let’s not forget the super bright blue lead!

How does it fare as a Tube Screamer alternative?

The Keeley BD-2 will appeal to people who are looking for a grainier, edgier overdrive pedal. It is not as smooth as a Tube Screamer but in a good way as you have probably noticed from the videos. I even find that with Humbuckers and a little delay, there are some similarities to Robben Ford’s tone. I am not saying it is the same but it is reminiscent of it (in order to get the same tone, you would need his fingers of course).

And there is also a big difference in terms of available gain compared to a Tube Screamer (here an Analogman modded TS9). With the gain on 2 o’clock, the BD-2 matches the gain of the Tube Screamer on max. With the gain on 3 o’clock or more, the Keeley BD-2 comes close to a distortion pedal. This is especially true with Humbuckers (see above the video that I recorded with the Gibson SG).

Also, like any good overdrive pedal, it is very efficient used before an already distorted amp or another distortion pedal in order to give it a kick.

All in all, a worthy alternative to the Tube Screamer if you are looking for a gainier overdrive tone while retaining a blues/rock feel.

Neil Young’s “Le Noise”

Neil Young has just released a new album entitled “Le Noise”. Produced by Daniel Lanois of U2 fame, it is full of old school dirty and gritty fuzz tones enhanced by lush delays and modulation effects (more about the recording here). You can listen to the songs featured in “Le Noise” thanks to this awesome youtube video directed by Adam Vollick:

Book: Recording Tips for Engineers by Tim Crich

I have spent the last two months recording on my houseboat with whatever gear I have and did not want to embark on this journey without some help. So, I picked up a copy of “Recording Tips for Engineers” by Tim Crich. I had learnt the hard way that a good recording begins at the source and that no magical software plugin will fix everything.

And this is exactly what this book is about: helping you get a good sound at the source. It teaches you about the big and small details: from organizing a session to microphone placement and equalization, you will learn how to record a whole band. I also found it useful at the mixing and mastering stage and there is a good section about the intricacies of digital sound.

Written in bullet point form, it is easy to follow and can be used as a reference, it does not have to be read back to back. Icing on the cake, Tim Crich has worked with little garage bands such as U2 and the Rolling Stones and some of his rock’n roll stories are pretty funny.

I will tell you more about the recordings in the coming weeks and what I have learnt by “doing”.

John Mayer’s Guitar Rig

I don’t have much time to post this week, being busy on a project (more about it soon) so it will have to be a small post.

I found this video on Dunlop’s blog. It shows the touring gear of John Mayer in details and it’s pretty interesting stuff. We can see his Tube Screamer is of the TS10 variety and that he still uses his old Marshall Bluesbreaker pedal (the 90s version):

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