TC Electronic Flashback X4 Delay: Toneprints at the Power of 4

TC Electronic has done it again! Last year, they brought to the world the concept of “Toneprints”: pedals that could be “reconfigured” to sound like other pedals by uploading new profiles from your computer. Then they improved on the system by allowing musicians to upload toneprints directly from their phone to their pedals through their guitar pickups.

I have reviewed and demoed the Flashback Delay and like a lot of other guys (and girls), it got me thinking about how this pedal could be even better. It seems TC Electronic has been thinking about it too and the result is the Flashback X4 which is like a Flashback Delay on steroids. It has absolutely killer tones and is packed with control options: 4 footswitches, MIDI input and thru to integrate into complex systems and expression pedal input to control several parameters.

The Flashback X4 sports big knobs and four foot switches

It also comes with a lot of different delay modes and a few are new compared to the original Flashback: the 2290 + Modulation mode justifies the price of the pedal in itself, it’s properly amazing. There is also a Roland Space Echo simulation as well as a tube delay simulation, and others that I will list later. As always, I have prepared a video demo and without further ado, here it is:


Presets and 4 Toneprints

The Flashback X4 is fairly big, kind of like 4 Flashback delays put together. It comes with its own power supply but can also be powered by a regular BOSS style adapter. The Gator 8 supply that comes with my pedal board could power it without issues.

The X4 has got 5 big rotary knobs: Delay, Level, Feedback, Mode and Looper level. The first three are the usual suspects found in a delay pedal. The second one selects the mode while the last one is dedicated to the looper mode. A mini switch toggles between delay and looper mode. Before you ask, the delay can stay on when you switch to looper mode, and that’s really cool.  Another toggle switch allows for straight repetitions, 8th or dotted eighth (A.K.A. the U2 delay). It’s got mono and stereo inputs and outputs but can operate in mono of course.

Foot switches and Control Options

The 4 foot switches have different functions whether the X4 is in delay mode or looper mode:

  • In delay mode the first three are for switching between different presets. To memorize the current delay settings into one of the three presets, just hold a footswitch down for a few seconds. Very handy to keep three of your favorite delay settings. The fourth switch is a Tap Tempo switch which will set the delay time according to how fast you tap on it.
  • In Looper mode, the first footswitch activates/deactivates the recording, the second one plays/pauses the current loop, the third one plays the current loop once and the fourth one acts as an undo/redo pedal for the last recording
Using the expression pedal input, you can control the delay time, feedback level or delay level. There is also a MIDI in and a MIDI thru, handy for tempo synchronization with other MIDI devices (or a sequencer) as well as preset selection.
Because TC is full of surprises, you will find two small switches (aka “dip” switches) if you remove the back-plate of the X4. You can use those to go from “Tru Bypass” to “Buffered Bypass” or even have no dry signal at all.
The back of the Flashback X4: stereo inputs and out puts, expression pedal input, power supply input, USB port to upload Tone Prints, MIDI in and thru
Modes

The Flashback X4 offers the following delay modes, each with its own “tone” profile:

  • Tape: a tape delay effect, really well done, you can hear the flutter of the tape
  • Tube: a tube based echo tone
  • Space: a Roland Space Echo simulation, ah reminds me of the 80s!
  • Analog: an analog delay simulation where repetitions are distinctively darker than the direct signal
  • Analog + modulation: same as the previous one but enhanced by some chorus-y modulation
  • Reverse: the classic “Hendrix” effect where the delayed signal is played backwards. It might sound like a gimmick but it is actually quite effective to get a thick tone (see my video demo above)
  • Dynamic: in this mode, the delay is only heard when you stop playing. The idea is that if you play a fast lick, you might not want the delay to interfere. It might seems strange but it can be really useful.
  • 2290: no need to present what was TC’s flagship rack delay unit used by The Edge or Robben Ford. It’s very clean and digital (but in a good way)
  • 2290 + mod: same as the previous one but enhanced by a gorgeous chorus, I absolutely love this mode
  • Slap: a mode dedicated to Slap Echos (or Slapback delays). It’s a short delay loved by country guitarists but also by early rock guitarists to fatten their tone. It’s still effective today and I love this mode too
  • Lofi: it’s a mode where the repetitions are really dirty if this is your kind of thing.
  • 4 toneprints: there are four toneprint settings for which you can download “profiles” through your phone or from the TC Electronic Website.
Looper

The looper mode is highly effective thanks to the four footswitches. Press the left one and recording begins, press again and what you have just recorded will start looping. You can press again (and again) on “record” to layer recordings. It you don’t like your last recording, just press the fourth footswitch in order to undo it.

The second switch will stop the loop and let it resume whereas the third switch will play the loop just once (quite handy to do a nice ending for instance).

All about tone

What struck me when I plugged the X4 is the sound quality: it is outstanding. Not just “clean digital” in a cold way but really hi-fi in a good way. It totally respects the tone of your guitar and your amp, adding a beautiful effect to it. To me, the control capabilities, the presets or the four footswitches are really cool bonuses but really, the tones coming out of this delay are enough to justify owning it. DId I mention I could play with the 2290+Mod for ever?

So what’s next for TC Electronic? I don’t know but it sure will be exciting!

Buffalo FX Pinfire

The Buffalo FX Germanium Fuzz has made me love fuzz pedals again. Now, hold on to your hats: a well informed source within Buffalo FX is telling that a new killer pedal is in preparation.

The Pinfire is inspired by the legendary Dallas Rangemaster, a germanium treble booster used by Eric Clapton on the Beano album (although there is some controversy about it) and Ritchie Blackmore. Where the original Rangemaster had only one volume/boost control, the Pinfire has four settings:

  1. pre gain
  2. low boost
  3. high cut
  4. output volume

The new type enclosure has a battery draw. In Steve’s own word: it “will be very high spec, possibly higher than about 90% of whats available”.

Can’t wait to hear the beast!

 

Stay Toon’d Tremolo Claw (updated)

(Update 05/09/2012): The Stay Toon’d tremolo Claw can be purchased from this online store.

It seems guitar innovations are mostly coming from digital technologies these days. However, no chip is going to keep your Stratocaster in tune if you Hendrix the hell out of its tremolo system (I think Hendrix can be used as a verb, don’t you think?).

Scott Lionello is a young Canadian who’s come up with an original solution to Stratocaster tuning issues. And it’s not a new type or nut or saddle but it’s a replacement “spring holding” system. I am talking about the springs in the cavity underneath the tremolo system. The idea is that the claw keeps the springs immobile when the tremolo is not used thus improving general tuning stability. It also improves on the “smoothness” of the use of the tremolo.

A video is probably better than a written explanation: here is Scott showing how to install the “claw”. Towards the end, you can see how well it keeps Scott’s Strat in tune, can’t wait to try mine! Note that there is a USPTO provisional patent on the Stay Toon’d Tremolo Claw.

Quick Demo of my 1983 Boss CE-3 Stereo Chorus Pedal

Here is a quick demo of my 1983 Boss CE-3, the first stereo chorus in a compact pedal (the very first stereo chorus being the legendary Boss CE-1).

This was recorded using my trusty 1978 Telecaster going into: Xotic BB PReamp -> Marshall Shredmaster -> Marshall JMP-1 -> Boss CE-3 (in stereo loop) -> TC Electronic Flashback Delay (in stereo loop). The JMP-1 was plugged directly into a Boss Micro-BR. I only switch the Shredmaster and the delay half way through. The Boss CE-3 had its settings (depth and rate) at noon.

I like the way the CE-3 widens the stereo image, great for “pads”. There is a bit of a volume difference between left and right but nothing that cannot be rectified at the mixing stage.

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