You will find here all the list of posts related to effects and effect pedals that I feature on www.guitartoneoverload.com.
- Kirk Fletcher in That Pedal Show
- Codtone Big Muff Civil War Era Clone
- Quick Test: Tech 21 British V2 for Direct Recording
- Legendary Pedals: Videos in French
- Wampler Pinnacle
- Onslaught of Affordable TC Electronic Pedals
- Coda Effects Crowdfunding Project: the Dolmen Fuzz and the Montagne Tremolo
- Boss CE-2W and Robben Ford Blues Cube Tone Capsule
- Ibanez Mini Pedals – SM9 Reissue?
- Hologram Electronics Dream Sequence
- Boss VB-2W
- Source Audio Lunar Phaser
- Tone Building with Classic Boss Pedals
- Steve Vai’s Stereo Setup
- Boss RC-1
- shootout.fm: Online Comparison of Guitar Pedals
- One Month with the Boss GT-100 v2
- MOD Duo: Open Source Signal Processor – Kickstarter
- Harmonisers and Pitch-Shifters: Tips and Tricks
- Visual Sound Videos
- Dutch Kazoo Fuzz
- Boss DS-1X and OD-1X
- New Boss Products for 2014
- Buffalo FX Patriot
- NAMM 2014 Picks – Pedals Part 2
- NAMM 2014 Picks – Pedals
- Happy New Year and more Soul Food Action
- A Klon Centaur clone from Electro-Harmonix
- November GAS 2 : ToneConcepts Distillery
- November GAS 1 : Seymour Duncan’s Dirty Deed Distortion Pedal
- Crushsound Farmer’s Mill and Ceramic Slides
- Buffalo FX Fuzz Pedals: Silicon vs Germanium
- EHX Epitome by Bill Ruppert + What’s Coming Up on Guitar Tone Overload
- Buffalo FX Fuzz Extravaganza
- Eventide H9
- Buffalo FX Rams’Head
- Electro-Harmonix Effectology
- Moniker Guitars Kickstarter Campaign (Updated)
- Boss DS-1 Demo by Paul Hanson
- Buffalo FX Germanium Fuzz Version 2
- Best of NAMM 2013 Part 3: Dunlop Mini Fuzz Face Pedals
- Best of NAMM 2013 Part 2 : TC Electronic Toneprint Editor
- Best of NAMM 2013 Part 1: New Boss Compact Pedals
- Christmas GAS 4: Mesa Boogie Pedals
- Christmas GAS 3: Maxon DB10 Dual Booster
- Christmas GAS 1: Xotic SP Compressor
- MXR Hendrix 70th Anniversary Tribute Series
- TC Electronic Flashback X4 Delay: Toneprints at the Power of 4
- Buffalo FX Pinfire
- First GAS Manifestation for 2012
- Buffalo FX Germanium Fuzz – How to use a Fuzz Pedal
- Pedal Label System by pedallabels.com
- Crushsound Farmer’s Mill
- D.I.Y. Big Muff and Analog Delay Clones by Dainius and Dovydas
- Updates: BB Preamp, Satriani’s Boss DS-1 and Pickup Heights
- How to Tame a Fuzz Face Type Fuzz Pedal
- Les Pulverizer
- Toneprint iOS app by TC
- The TC Electronic Flashback Delay Pedal
- New Boss Pedals for 2011
- Loopers’ Delight: the Boss RC-30 Loop Station (updated)
- Dunlop Jazz III Picks
- Billy Corgan’s Pedal Stash
- Digitech Bad Monkey Overdrive: Cheap but not Cheap Sounding
- The Boss RV-3 Delay Reverb
- How Pickup Height Affects the Tone (Updated Feb 2012)
- Soundblox Guitar Envelope Filter
- Use of Reverb for Guitarists, Part 2: Reverb used as an Effect
- Reverb for Guitarists, Part 1: a Sound Reinforcement Tool
- Tone Box 3d Guitar Effects
- Boss DS1 Match: Stock vs Keeley vs Analogman
- Big Rock Tone with a Telecaster and Two Overdrive Pedals
- Mini Pedals, Maxi Tone
- Pedal Manufacturer List
- Guitars with built-in effects
- Tube Screamer Alternative: The Keeley modded Boss BD-2
- Using a graphic equalizer to get “scooped mids”
- How to use Modulation Effects Part 3: The Chorus
- How to use Modulation Effects Part 2: the Flanger
- New Boss Pedals: ST-2 Power Stack and PS-6 Harmonist (Update)
- Building a complex guitar rig
- How to use Modulation Effects Part 1: the Phaser
- How to use a Delay, Part 2
- How to use a Delay, Part 1
- Tube Screamer Alternative: The BOSS SD-1
- Using two overdrive pedals simultaneously
- The Components of Tone DVD by Don Wrixon
- Underrated Greats: The Marshall Jackhammer
- Soundblox Pro Classic Distortion by Source Audio
- Visual Sound distortion pedal shoot out
- Micro-BR Multi-Effect: Jeff Beck Tone Settings
- Using a slapback echo to fatten your tone
- Tube Screamer Alternative: the BB Preamp (Updated Feb 2012)
- BBE Stompware
- Maxon SM-9 Pro+ Super Metal and ST-9 Pro+ Super Tube
- Timeless classics: the Big Muff
- Tone tips: boosting the volume of your solos in live situations
- BOSS effects 101
- Timeless Classics: The Ibanez Tube Screamer
- Tone Tips: How to cut through the mix in a live situation
Hi Romain,
Since there’s just soooo many pedals around, my choice was to try for an all-in-one effects unit (Digitech Genesis 3) which seems to meet my needs pretty well (I’m a learner) and I quite like fiddling with the settings.
Do you think most pedals suit one guitar model (or pickup type) or do you think the good ones will suit anything? BTW, the Genesis has a parameter to match its settings for single pole or humbucker pickups. I’ve played with it (both my guitars have humbuckers) and there is a noticeable difference but frankly I couldn’t say which setting I thought sounded best, so wouldn’t say that it’s a must-have feature.
Cheers………..Kevin.
Hi Kevin,
Multi-effect units are usually suited to either type of pickups.
As to individual effect pedals, there can be differences especially when it comes to overdrive/distortion/fuzz pedals (not so much for chorus, flangers, delays, reverbs, etc.). I find some overdrive/distortion pedals to be more suitable to either single coil pickups or humbuckers. This does not mean these pedals are bad, just that they are more geared towards a certain a type of tone. It is really a matter of trying it out. For instance, there is an ongoing belief that the Ibanez Tubescreamer (THE classic green overdrive pedal) is better suited to single coil pickups. It is true if you want that Stevie Ray Vaughan sound but it does not mean it won’t yield interesting results with a humbucker based guitar. It is the same with amps actually, a humbucker will drive an amp harder (usually) than a single coil and will give you more natural amp distortion.
In conclusion, It really matters for the type of overdrive/distortion/amps you are using associated with the type of overdrive/distortion sound you are after (to take an extreme example, it will be difficult to get a death metal tone out of single coil pickups).
Hi Romain,
I tend to go overdrive crazy at times. This time last year I owned about 5 overdrives and set them all to different levels for different sounds. Now I realized I wasn’t using most of them properly and just had an OD addiction haha.
Now, I have trimmed my OD obsession down to 1 pedal…the Fulltone OCD. I think that it has the best sound by far to my ears for how I play. I can now use my guitar’s volume knob to adjust the gain. But, I know it is a hard clipped overdrive pedal and I’d like to complement it with a soft clipped pedal just for varieties sake, and I agree that the soft clipped pedals sometimes give a smoother tone with more mids that cut through.
I am looking at the Keely Bluesdriver, Fulltone Fulldrive 2, Fulltone Plimsoul, and the SD-1. I like the thoughts of the SD-1 simply for the price, and I have never liked the TS-9 because I personally don’t like the lack of bass.
Which soft-clipped OD do you recommend?
Hi Johnathan,
if you don’t like the TS9, chances are you won’t like the SD-1 as they are quite similar and present the same type of “bass sucking” tone. The SD-1 is a bit grittier than the TS9 but apart from that very similar sounding.
The Keeley BD-2 is a good choice for a different, grainier tone (I have done some demos). I would suggest you try a Xotic BB Preamp as well (with the gain set low) but if you find it too close to the OCD, the AC Booster from Xotic is another good choice. It is smooth and has a 2-band EQ. Xotic pedals are not cheap but are very cool. Let me know what you go for!
Hey can you pls work on Guthrie Govan waves tone? ? How to create it with boss GT100 or other units !
I think the tone on waves is a pretty straight up neck humbucker + Marshall(-ish) tone. What makes it special is the way Guthrie Govan plays and approaches the song: he gives a bit of an explanation here: https://www.youtube.com/watch?v=qfNUY8IrJi8